Human. Storyteller. Cinematographer. Filmmaker. 

​​"With my camera, whether existing in the same places with humans or non-human animals, I've been complimented that my emotional intelligence and visual intentionality creates a sense of familiarity and belonging while embedded in intimate experiences. It’s a cool audience perspective to hear in memorializing how it feels to migrate through space and time while using the visual arts as my compass." - LTJ​
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Lindsay is an award-winning Filmmaker, Director of Photography, and Photographer. Her years of experience in documentary have fostered her multi-hyphenate skillset and her collaborative, thoughtful approach to filmmaking. Lindsay is currently working on her third personal film project, following people who have endometriosis: The first film follows a Mexican-American Latina endometriosis advocate from East Los Angeles. 
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In recent years, Lindsay was the Director of Photography and FAA licensed Drone Operator on A Good Wolf  (Dir. Ramey Newell, 2024), a feature-length documentary film that follows three groups of Alaskans as they find diverging ways to navigate a volatile controversy surrounding a single tract of land adjacent to Denali National Park. A Good Wolf  had its world premiere at Mountainfilm in Telluride, Colorado. Lindsay was the Director of Photography and Drone Operator on a film about Permafrost in Alaska, working alongside the Director, Ramey Newell, the Permafrost Carbon Network with Dr. Ted Schuur, and both the University of Alaska Fairbanks and the University of Arizona. Lindsay was a Field Producer and Cinematographer on Florentine Films's project, Homecoming (Dir. Julianna Brannum, 2023, an epilogue to Ken Burns's The American Buffalo), and was a Cinematographer and Assistant Editor on The Address (Dir. Ken Burns and served under Editor, Craig Mellish, ACE, 2014). Lindsay first served as an intern at Florentine Films, working on The Dust Bowl, The Roosevelts, and Prohibition in 2011. Most recently, Lindsay was a Cinematographer on Florentine Films's The American Revolution (A Film by Ken Burns, Sarah Botstein, and David Schmidt - Director of Photography Buddy Squires, ASC). 
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Lindsay's feature documentary, Velvet Citizen (2022), which she directed, shot, and edited, was selected for the 2020 LEF/CIFF Fellowship. Velvet Citizen, filmed in the Czech Republic, follows eighty-year-old Czech sailor, Jaroslav, as he prepares to sail around the world in the yacht he spent the last forty years building. Lindsay was the Director, Co-Cinematographer, and Co-Editor of her project, Navigating THRU (2019), a feature film about women thru-hikers on the Appalachian Trail.
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In 2018, Lindsay was chosen 1 of 19, out of 750 applicants, for the American Film Institute's inaugural Cinematography Intensive for Women Workshop. Outside of documentary, her narrative cinematography was later selected for the 2020-2021 American Society of Cinematographers (ASC) Vision Mentorship Program. She was matched with her mentor, Neville Kidd, ASC.​​​ Lindsay was also accepted and attended a semester abroad at FAMU (The Film and TV School of the Academy of Performing Arts) in Prague of the Czech Republic in 2011, with a focus in their Cinematography track. She later moved back to the Czech Republic to shoot her independent feature film in a Czech village, shooting and cutting this feature all in the Czech language. In 2023, Lindsay was a panelist on Canon & The American Society of Cinematographer's "Adventures in Documentary Filmmaking" presentation at Sundance Film Festival. Lindsay had also served as a Teaching Assistant at Maine Media Workshops & College in 2012 for several renowned filmmakers throughout their respective courses. 

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"You've made something grand,
but it will be grander if it has feeling and beauty and harmony."
- Alan Lightman